Review of Konami
Konami by Kid Astronaut featuring Plus Ultra
Konami is the most recent single released by Kid Astronaut, featuring a beat produced by Plus Ultra. This song is an energizing bop with layers of depth, culture, and artistry. Konami, the second collaboration between these artists, expands upon a previous partnership. The origins of this relationship can be traced back to jamming at the Meadowlark, hosted by Eman, where a sense of alliance came about organically after several joint performances. A sense of community blossomed into a fruitful union, creating two new releases, Forget Me Not and Konami. That feeling of a community set the tone for how this project developed.
Upon first listening, the lyrics feel like a confident expression of ability on behalf of Kid Astronaut. By using video games and anime imagery, there is a challenge offered to any opponents. The song's lyrics present the theme of overcoming obstacles and doubt. This isn’t done in a confrontational way, but rather extends from a place of cathartic expression. The story becomes a lesson about turning your hurt into motivation, without blaming or attacking anyone else. There are examples of the use of double entendre, paying homage to the oral traditions of hip-hop. All of these elements contribute to a piece of work that speaks to like-minded people who can see themselves reflected in the song.
The beat was written and produced by Ryan Bannigan and Barth Bhargava of Plus Ultra. It served as the jumping-off point for the song, while intentionally creating a space that served Kid Astronaut’s vision. The opening section creates an atmosphere full of energy and immediately creates a sonic space for the vocals. There is a clear influence of video game sound effects that further contribute to the sonic context of this track. The second section drops in intensity bringing in a moodiness that enjoyably contrasts the lyrics. Alex Newton is featured on guitar for this section which heavily contributes to that emotional shift. Barth wrote this section's chords and mentioned using his knowledge of film scoring to reinforce Jon’s lyrics. From beginning to end the beat serves as a backdrop for the lyrics creating a dynamic movement that perfectly supports the story as it unfolds.
This release features an impressive and visually gripping music video, shot and produced by Seth Beamer. Again, the influence of video games and anime is central to the ideas expressed. The music video's opening begins with Kid Astronaut starting up the “Konami” video game on Xbox. We are shown a character selection screen that features the four musicians from the project. Upon selecting the character, the viewer is transported into the video game. As the main character begins to explore the surrounding world, they discover a flyer for a “Big Prize Competition”. In response, Kid Astronaut rounds up his squad, Ryan Barth and Alex, who then collaborate in several dance sequences. These sections bring a lot of amusement and energy to the experience, including a classic training montage. This fun and exciting journey bring all of the ideas and vision into a cohesive visceral package.
Konami is an impressive and enjoyable song that is built upon confidence, community, and culture. The entire package, including the music video, expresses a united vision that is engaging for the audience. There is a feeling of positivity and faculty consistent from inception and carried over through each element of this performance. It is no wonder why this track has been included in several workout and motivational playlists. What takes it to the next level is the depth of meaning and constant service to each small detail of production. Kid Astronaut and Plus Ultra make excellent teams as their creative perspectives are so complementary. Their work is a testament to the value of creation coming from mutuality and an attitude of service. I thoroughly enjoyed this work and I am anticipating more high-quality collaborations in the future.